Zeldman suggested a plug-in to time-associate lifestreams (egostreams), microblogs, blogs, aggregators, social bookmarking, social media, etc. My use of a myriad of semantic web services has become a virtual mnemonic tool, a digital cartography of memory . . .

Visitd bloggersblog through my twittr stream http://snurl.com/25t6q [twitter_com] and read this post http://snurl.com/25t5r [www_bloggersblog_com] which referrd 2 this comment on http://snurl.com/25t5z [www_zeldman_com] about potential of a plug-in to time-associate lifestreams, microblogs, blogs: Flickr, Ma.gnolia, del.icio.us, Twitter

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NYT article on the at-risk lifestyles of high-speed, high-stress, high-adrenalin lifestyles of pro-bloggers chasing new improved on-line newstories 24/7.

Thanks to twitter and Steve Rubel’s lifestream for bringing this article to my attention.

“digg.com blurb: “Some professional bloggers complain of physical and emotional strain created by an Internet economy that demands a constant stream of news and comment.”

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This reminded me of an article by Kate Argyle (1996) in Rob Shields useful anthology entitled Cultures of the Internet. Argyle’s account of what happens when a member of a virtual community dies challenged notions of that Internet communities were blasé and that the Internet itself fostered  a culture of distance and indifference. See http://www.socresonline.org.uk/1/3/van_loon.html

Webliography and bibliography

Argyle, Kate. 1996. “Death on the Internet.” in Shields, Rob. 1996. Cultures of the Internet: Virtual Spaces, Real Histories, Living Bodies. Chapter 8. London: Sage. ISBN 0 8039 7519 8

This freeze-screen image WordPress, Flickr and Digg is from my Flickr album.
Wordpress and digg: Self-submitting and the auto-generation of headlines, descriptions and categories. Bricoleur/bricoleuse refers to a do-it-yourself model of using social media as a way to share resources by producing a bricolage of content, codes and connectivity with tools, methods and technologies usually created for another purpose.

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Ubiquitous computing and the cyberworld panopticon. How your indelible digital traces can be used against you. Andrew Feldmar, 66, a Vancouver psychotherapist used LSD 30 years ago and published his story. He has not used illegal drugs since but after a US/CA Customs web search found his story online in summer of 2006, he can no longer enter the US.

Feldmar said, “I should warn people that the electronic footprint you leave on the Net will be used against you. It cannot be erased.”

Notes:

For more on ubiquitous computing and the politics on pervasive computing, see Galloway 2007.

Webliography

Galloway, Anne. 2007. “Shepherding the politics of pervasive computing, Part I.” >> Purse Lip Square Jaw. May 3.

Liptak, Adam. 2007. “Web searches at U.S. border bring scrutiny to new level.” International Herald Tribune. May 14.

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In these days of blogs and social software, there are fairly definitive ways of measuring what people like. Comments on posts, del.icio.us bookmarks, Technorati links and of course Diggs, are all entries into the fascinating world of social popularity. For example, what does the number of diggs on a post say about a piece of content?

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In plain English Rony John, pro-blogger provides easy to follow step-by-step tips to enhance your blog. Even for a bricoleur like myself who has no formal tech training, with a bit of patience his advice helps bloggers take advantage of the best of new Web 2.0 tools. Take a look at his clean, readable, content-rich, aesthetic and valuable template.

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Freudian Slip The catalyst for this layered image was Freud’s influential paper (1901 [1914]) entitled Forgetting of Proper Names in Psychopathology of Everyday Life. I remembered the image a couple of days ago when I submitted my first article Memory work for Wikipedia as a fully register contributor. The words memory and history are not interchangeable. Memory work has an ethical as well as an historical dimension. This image raises some ethical questions about how our stored memories can become entangled.

In it Freud examined the psychological process of forgetting the name of the artist who painted the Orvieto ceiling when his conscious thinking process was abruptly interrupted by memories of the recent suicide of one of his patients who had an incurable sexual disorder. He forget Signorelli’s proper name during this conversation with a stranger while traveling in Herzegovina. They had been discussing the Turks in Bosnia and Herzegovina when Freud’s thoughts turned to contemporary [racist] beliefs surrounding the sexual moeurs of Turks who allegedly valued sexual pleasure over life itself. From there Freud thought of Death and Sexuality. As one theme interrupted and replaced the other, he associated the series Signorelli. Botticelli, Boltraffio, Trafoi and could not recollect the proper name.

This is significant to me as it reveals unchallenged western prejudices about the East at the turn of the century.

Layers include a .jpg of Renaissance artist Luca Signorelli’s (1445 – 1523) masterpiece, the massive frescoes of the Last Judgment (1499-1503) in Orvieto Cathedral. The copyright on his work has expired since he passed away more than 70 years ago.

There is a topographical map of Bosnia and Herzegovina, a small iinsert of Freud’s museum which is itself th subject of controversy as rrevealed in Derrida’s book Archives Fever (1996). The uppermost layer is the diagram from the Freud’s article explaining how he made a Freudian slip.

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Uploaded by ocean.flynn on 2 Nov ’06, 4.23pm MST.
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Space invasion with fireplace and PC (1998-1999)

Space invasion with fireplace and PC (1998-1999),
originally uploaded by ocean.flynn.

I began making my first web pages when Dave and I lived here on Lac Gauvreau, Chemin de la Baie Ste. Anne, Ste Cécile de Masham, Québec. I had already taken my first contemporary social theory courses with Rob Shields. From that time onwards he has been a valued mentor for my grad studies. I was working on the year long PhD seminar course with Professor Wallot at the University of Ottawa. This Canadian Studies PhD was a life-transforming experience. It was education as its best. The institution provided everything a grad student could need including access to a super coach and computer lab. As always Dave and I were squeezing as much as we could with bare bones technology. I was using our first digital camera and this flat bed scanner. My son Dan, who was studying at the Cite collegiale in Ottawa, taught me just enough .html coding so I wouldn’t make too much of a mess for him to clean up. He was a bit of a purist.

This acrylic painting was painted over the Christmas holidays in 1998-1999. I had already painted the tree outside our cabin by Lake Gauvreau. The next day the branches were so burdened with snow I had to repaint them entirely. I decided to let them invade the inner space of the cottage since their presence was so insistent.

The painting is 30″ x 22.5″ on Arches paper.

It was shown in March 1999 at an exhibition on Bank Street in Ottawa, ON and again in a gallery on Great George Street , Charlottetown, Prince Edward Island in the summer of 1999.

Space invasion with fireplace and PC was one of the first images on my Carleton University home page and on the collaborative, innovative virtual space called artengine. It is one of my favourite images and after our chaotic move out west I really don’t know where the actual physical painting is or the great high resolution digital images the professional photographer took of my work in May-June? of 1999.

One of the challenges for me is to find the kinds of sites that provide me with ideas I can build upon. For example, currently I am unable to simply use a search engine to find useful information on the concept of memory work. I have kept track of this concept over the years using my EndNote bibliographic database. My sister Sharon introduced me to EndNote c. 1992?, an authoring software for creating digital databases with a powerful cross-referencing ability. Thousands of useful entries later and numerous upgrades later I continue to thank you Sharon.

Technorati spider release

November 1, 2006

In my attempt to understand how Frimr reached its scores I found sites called blogjuice? which led me again to Technorati. I had visited their site before so this time I decided to register. I now have a Technorati Profile. I am now trying to use Technorati to refine searches for key concepts such as memory work, answerability, post-national, ethical topography of self.

I continue to find so many free, useful and fun internet services. Flickr is by far the most entertaining. For keeping track of bookmarks, which I call my webliographies, del.icio.us and swicki offer much more than I could ever have imagined. Swicki even does it with image collages of your individualized tag clouds. I have been learning how to interconnect my Flickr with WordPress and Blogspot. That is also amazing.

Frimr Pumpkin I have decided to no longer keep an account with Frimr, a fictional site that offers to track how famous you are becoming on the Internet. I just could not figure out how to fill in their on-line form. Apparently my score jumped from 0 to 9999 and back down to 0 in a few weeks because of the way I entered my ‘feeds.’ I didn’t even know what a feed was until I tried being a frimeuse. (This term in French for boastful: ‘Link me, I’m famous’ ) Since I am in this for the pure pleasure as well as the teaching, learning and research I prefer not to work too hard to keep track of my score.
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